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Simple deejaying has been around
for a long time. In Jamaica vans called "sounds," which were equipped with
a record player, amplifier, and speakers, would travel to different neighborhoods and play
records. In Manhattan, discos were playing music and entertaining crowds. However in 1973
Kool Herc changed how DJ's would play records.
In 1973 Kool Herc started spinning when his sister Cindy asked to provide
the music at her birthday party, which was being held in the recreation room their project
in the Bronx. To prepare he bought a selection of records, and did something that is now a
standard to all deejays, he hooked two turntables together. With two turntables, and two
copies of the same record, he developed a technique called Break-Beat. What he did was
play the break of a song, which is a short section of a song without vocals that is good
for dancing, on one turntable then switch to the other turntable and play the break, in
order to extend the break. Herc ripped it up and continued his craft at community centers,
house parties, and clubs. Besides having the best records and beats he also had one
of the best and loudest sound system dubbed the Herculords. By 1975, Herc moved into
the club Helvalo, and later to the Executive Playhouse. Herc's parties there became a
premier gathering place for b-boys. B-boys like Sha Sha, Trixie, Amazing Bobo, and the
Nigger Twins (brothers Kevin and Keith) were regulars at Kool Herc's parties. he next man
to make an advancement in the deejaying is none other than Grandmaster Flash, who has been
deejaying since 1974.
Flash began by entertaining at house parties and performing in city parks and by 1976 had
achieved notoriety for his skills. While he had talent, he didn't have a system that could
touch Herc's in any way and Flash was determined to find another way to set himself apart
from the other DJ's. His chance came when he noticed that DJ Pete Jones, a DJ who
spun at clubs in Manhattan, was able to change from turntable to turntable smoothly. In
contrast, Kool Herc
was more hit or miss when he did a break beat and the beat would be broken as he switched
turntables. After some pleading DJ Pete let Flash take a turn at the wheels of steel for
him one night and Flash discovered his secret, Pete had hooked up a pair of headphones to
a toggle switch that allowed the DJ to hear what was on either turntable. Soon Flash
had perfected the technique and used it to create phrases by switching between several
records in a row, playing a word or two from each. Around this time he developed his clock
method of finding a spot on a record, which is pretending the label on the record is a
clock face and branching out to find a spot on the record. In 1977 Flash introduces yet
another development, that of back-spinning. Back-spinning is playing a phrase from a
record and then spins the record back slightly to repeat the phrase. You can hear
Flash do this at the beginning of "Grandmaster Flash on the Wheels of
Steel" when he repeats the phrase "you say" several times. Another
technique that Grandmaster Flash pioneered was that of Punch-Phasing, which is playing one
part of a record in quick volume surges on one turntable while the same record plays on
the other turntable. Not only is Flash a master of the turntables he also was a
consummate entertainer. As such he was one of the first DJ's who incorporated tricks
like mixing behind his back into his routine. Grandmaster Flash tried toteach his then partner Mean Gene about about
break-beat deejaying but he could never pull it off consistently, instead Gene's brother
Grand Wizard Theodore did. Not only did Grand Wizard Theodore pick up on the new
techniques that Flash taught him he would develop one of his own. While practicing his
skills one day he realized that moving the record back and forth while it was playing
produced an interesting sound. He incorporated this sound into his stage show and it
became a hit. Yes ladies and gentlemen, B-Girls and B-Boys, honeys and homies, it
was Grand Theodore Wizard who introduced the scratch. It was these artists and
techniques that changed the turntable from a tool to play records to an instrument.
Since then other techniques, like orbits, flares, and beat-juggling have been developed by
other individuals, but they are all based on the principles set forth by all of the
pioneering individuals above. Groups like the Invisibl Skratch Picklz have created
entire albums, like The Frigger Shagger Show!, out of nothing but work on the
turntables. |